Glam rock

Best glam rock bands

Rex, more or less invented glam rock in Vicious begins Reed's second solo album in exactly the way that you would wish, with the poet laureate of Manhattan spitting out the Warhol inspired lyrics — "Vicious: you hit me with a flower" — while Mick Ronson, cutting through everything, embodies the song's threat. It was certainly provocative stuff. It suggested style, artifice and surface were equally as important as depth and substance. All of this helped make glam a tremendously influential movement: early punks and New Wavers caught on to the style's anti-hippie stance and brutal simplicity, while metal and hard rock bands looking to capture a younger and more varied audience began to assimilate the genre as well. Cue glam… Shares Image credit: Getty Images Glam rock was an inevitable reaction to one of the most austere periods in rock history. Rex were starting to get noticed. An anthemic chorus and a lyric that's a direct invitation "to get wild, wild, wild". Joan Jett and Adam Ant have both cited him as a major influence, and his singles were both simple and iconic enough to inspire covers by everyone from Brownsville Station to the Spice Girls. One act resolutely not pop-oriented was Roxy Music. Appropriately enough, the four-piece had previously had a small hit with a Little Richard cover, but this was in an entirely different league. And those teenyboppers who entered the Top Of The Pops studio for performances by Slade are largely pensioners now. It reads like a glam manifesto.

Rex, more or less invented glam rock in Updated February 12, Glam rock — the real thing, not the '80s hair metal genre which mutated from it — was a cultural revolution that, in its own way, was as much a reactionary movement as punk would become a few years later.

He had long admired British cult band Mott The Hoople and, when he heard that they were planning to split after a show in Switzerland, in Marchhe offered the group one of his new songs in a bribe to keep them together.

Glam rock fashion

Mud yocked it up on Top of the Pops with ludicrous flares and a spot of aceing — the biker's dance, shoulder to shoulder — and the future Sex Pistols were listening. Rex's album Electric Warrior received critical acclaim as a pioneering glam rock album. While his US success was patchier, Bolan reveled in international adulation and balanced a relentless recording schedule with a ferocious touring programme and promotional projects, including the film Born To Boogie directed by Ringo Starr. Bowie too. Sweet managed to have hits in the USA; the New York Dolls took the movement to heart, transforming that city's rock scene for the rest of the decade, and Alice Cooper began to inject the style and attitude of the genre into his own Doors-inspired mix of goth and hard rock. The result was a birthing ground for hair-metal but also punk, art-rock, and power-pop. You felt it was a job for some of these people to live out the fantasy on behalf of their following. But not before they would score further hits with Amateur Hour and Get In The Swing, while Sparks remain one of the most high-profile cult bands still in business to this day. Tweet The Great Britain of the 70s could be a drab, monochrome place. It being , of course, there could only have been one question: "Uh, how do you call your lover boy? The five-piece New York Dolls, formed in early , fused the stomp of glam with more extreme songwriting, and their self-titled debut, produced by Todd Rundgren, was a huge critical success.

Glam rock was fairly simple, crunchy guitar rock put across with outrageous theatricality. They took a song with the lyric "you hear the thunder of stampeding rhinos, elephants and tacky tigers" all the way to No 2, and made it seem natural.

This was a genius album, an effortless concept piece split into perfectly formed, entrancing vignettes.

glam rock instruments

The look was androgynous, but the riff-heavy pop-rock blend appealed to teenagers and the more conformist, mature music fan. Largely seen as a singles act, the band were signed with Nicky Chinn and Mike Chapman, who perfected a glam-pop sound that would dominate the British hit parade.

Glam rock makeup

Mud yocked it up on Top of the Pops with ludicrous flares and a spot of aceing — the biker's dance, shoulder to shoulder — and the future Sex Pistols were listening. His backup band, appropriately named the Glitter Band and heard on his lone stateside hit "Rock and Roll Pt. Three consecutive UK No. Rex, more or less invented glam rock in Glam was an ephemeral slice of quintessentially English innocence — it provided excitement and delicious vacuous fun, and kept fledgling punks amused while waiting for their manifest destiny. Rex albums were often peppered with unwelcome throwbacks to pre-electric lyrical gobbledegook. Dialing back the freak-folk of his first band John's Children and the original incarnation called Tyrannosaurus Rex, and adding some electrified Chuck Berry groove to his Tolkien tales, Marc rocked glitter and boas like few other. Their first studio album somehow managed to combine strains of Bolanesque glam, Stonesy raunch and New York decadence, delivered with a ferocious zeal that inspired a legion of punks, headbangers and sleaze rockers. The most popular of these -- KISS, Van Halen, Aerosmith -- went on to make huge inroads into American radio with their bluesier and harder version of glam; in the Eighties, their success would spearhead the entire "hair metal" movement for which glam is unfortunately confused to this day by many Americans. It suggested style, artifice and surface were equally as important as depth and substance.

But by God, they were good! And those teenyboppers who entered the Top Of The Pops studio for performances by Slade are largely pensioners now. Continue Reading.

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Why glam rock is so misunderstood